BEATS OF LOVE 

105. Love & Hate in a Different Time (Greg Wilson & Che mix) by Gabriels

WHEN I was younger, every other weekend threw up some dark art shit. Now, with the wisdom that comes with age on my side, it has become a bi-annual event, throwing everything momentarily up in the air. The horror is not knowing how it's going to land.

Last year it was traversing the line between being with folk that liked me whilst being in the same company as folk who hated my guts. I ended up with the folk who hated my guts, and then the dark art shit happened.

This year I thought 'great, finally, no weird dark art shit' but then my kitchen roof began dripping water. Less than a week later, I now know how sophisticated, calculating, and facilitated by Google rogue traders have become as I've shelled out a small fortune to have even more damage done to my old roof. Google not only guarantees their labour but points folk toward articles that call it an emergency. Inviting panic and poor judgement. 

The day after I felt violated and stupid and guilty coz that money could've put some big smiles on my missus face. I have acted on the advice of the CAB more as a tick-box exercise coz already the bankrupt business site credentials used to procure my custom are already down with another up and running. I suppose there's no end to bankrupt business web pages online. Would I have paid this stupidity tax to not instead scare myself in front of daytime telly so I could do things I enjoy? Definitely. I would, however, have rather paid it weekly rather than in one inconvenient, untimely lump sum. I can spare folk daytime telly hell by saying the words Trustpilot and Martin Lewis. 

That this rogue trader passed me the parcel that contained this beauty means I can almost forgive him. Almost being the operative word. 

BEATS OF LOVE

104. The Refuge  

SO I finally took the missus to this much loved behemoth after falling for the charms of the Midland and more local restaurants since quitting the tabs. 

I felt bemused when Roberto ordered a meal in the Woodstock way back in the mid-nineties on a Saturday afternoon during a comedown session. I thought everyone was still out partying. To say I'm late to the party is an understatement, but I've become a bit of a foodie myself. Meaning I can be both critical of the missus' cooking or full of praise coz being experimented on is unpredictable. She likes to 'try things out,' so dining out is nearly always safer despite the missus getting better all the time.  

It was that madly busy time when tea-time drinkers were finishing and evening revellers started out when we arrived. Abigail, whom I didn't notice with her tidied up hair and glasses, was hammering out classics like Rufus & Chaka Khan's Ain't Nobody (Hallucinogenic Version) and I was worrying about ambience in the dining room, which was just round the corner. We had a table booked. 

The bar staff were mega-friendly and informed me of the city's current rentals. It priced me out in the late nineties and am now more than happy to commute by tram after hearing these mad charges. By the time our table was ready, the music's tempo had slowed significantly. There is an art to bar DJing that I didn't comprehend, which also explained why the speakers were in the centre of the main space. 

Everything is on a massive scale. The ridiculously high atrium ceiling, the vast, expansive walkways and the huge pillars. Then the menu presents us with these disarmingly small shared dishes. Locally sourced highlights of which were the Pollen Bakery's sourdough bread that blended brilliantly with the Padrón peppers. Having never been to Spain, something instead reminded of the rustic, intimate charms of Tuscany. Our choices diverged with the main, but came together when we both shared broccoli, ssamjang, and kimchi. Like everything Nigerian, the Kimchi gets cooked longer when the missus prepares it, so its more flavoursome Korean taste pleasantly surprised me. She only conceded it smelt nicer. 

Everything we ate was a taste sensation and, unlike a tapas or sushi restaurant, these exciting hits were global. It was only fitting that we ended the night in Diggle, tucking in to Grandpa Greene’s raspberry flavoured ice cream. Abigail was still in her own musical world as we left.  

Next time, we’ll likely book the equally impressive Kimpton Clocktower. We’ll pass on the music concierge, though. Has nobody seen Shoreditch Twat? It’s comedy gold for a reason. Regardless, we’ll definitely be back.

BEATS OF LOVE 

103. Moloko Island LP by Mike Salta & Mortale

FROM 1964 until 2006, there was a consensus about what constituted the charts. Linked to its flagship Thursday night show TOTP, it was every British pop star's dream to get into the BBC top 40 to stand a chance of appearing in it. For that reason, the Sunday evening countdown was exciting. 

The show fizzled out after a decade-long decline since moving to Fridays in 1996. The chart itself became meaningless. Pop stars are now ubiquitous and can express themselves on social media all year round. Amassing likes for posting pictures of their dinner loses a lot of the mystique that made them so fascinating in the past. 

That said, it liberates the fan from caring about such superfluous detail and invites a deeper listening experience. TOTP could make or break careers. I was quite taken with Babylon Zoo until I saw a po-faced TOTP performance then distanced myself from it completely. You could banter about it whilst being conscious of the indie charts because it was an axis point. Like talking about the footy scores. Now I am resigned to blogging coz nobody in my real world actually cares about the things that fascinate me. Like reading Sonic Life by Thurston Moore.

Or deciding that this LP is a masterpiece. The tracks are great heard individually, but make much more sense together. The cover is super too and complements the music brilliantly. I can't differentiate between standout tracks coz the quality is so high. It plays coherently and really suppresses its disco, funk, and Tropicália influence to infuse something calmer and more soothing. Whilst maintaining those highly distinct flavours. No mean feat.  

All you need to know in this world of insignificant charts is this whole LP is this week's number one. And next weeks. 

https://musicfordreams-mikesalta.bandcamp.com/album/moloko-island

BEATS OF LOVE 

102. Now and Then by The Beatles

MARRIAGE IS hard, especially interracial. Seemingly innocuous words linger for months, building a storehouse of resentments. We pretend all is well, for admission would require trust in others, those who might not be what they should be.

It is in this wilting state of hurt and mistrust of others that I listen to this re-polished Lennon demo from 1977. The ultimate marriage breakup of a band finding the technology to enhance something rough and real, transforming it into something soaring and beautiful. Whilst losing a little tenderness. 

Yet, by the third listen, you inevitably wonder how John and George would react. What innocent phrases would trigger old tensions and fuel their already deep-seated resentments? They certainly would react, as the track feels far too syrupy and completely lacks the sparse, magical quality of a true Beatles record.

Their marriage was well and truly over. John was defiant on earth and is probably fighting ELO fans who are in Beatle heaven listening to it.   

That said, it is still the best footnote of a single 2023 offers. I really hope and pray that my marriage begins to re-bloom in its afterglow.