BEATS OF LOVE
66. Hotel California (Orbitally Ambient Mix) by Jam on the Mutha
LEE AND Mark both liked boozing, but that's where the similarity ends.
When I first met Lee, we'd drive to remote areas and dance topless to S'Express on his car bonnet. Or punch the air in surrender to Erasure in the rougher boozers in Shaw. Like me, he was a bit of a clown. He became a postie and went from being dead chatty to totally remote over the course of a few short years. I was too young to realize unsociable working hours aren't for everyone.
I first recall seeing Mark through a police car window. I was being driven off, and he was intrigued as teenagers are. A year later, he was taking LSD with us on the local playing field. I was aware of his young age and despite going through the massive fits of laughter stage; I felt a responsibility to be there for him as the more intense stage kicked in, which it already had with me. We must've walked around that field two hundred times, and Mark never once stopped laughing.
He still hadn't stopped laughing throughout the nineties. Or, after a trip to Ibiza, where my mate thought it would be a good idea to knock back brandy and coke in the departure lounge with him. Mark returned home in hysterics as my mate languished in a Spanish cell for two days.
I recall being round another mate's house and Mark putting Hotel California on. A permanent pub jukebox record, but it made sense to me during a particularly scrambled session. Obviously, I prefer this Orb version, which he would say is shit. Mark, with the same wicked twinkle in his eye as his dad Terry, was definitely more of a ladies' man.
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